![]() Not only do you get a wide field of view that can feel like your shots belong on the big screen, but you can also capture a horizontal lens flare effect - a staple of Abrams’s work. You can use the shallow depth of field in the center of the frame to capture your subject, while getting a wide, dazzling view of their city or street to capture the character of the place they call home. “It gives the out-of-focus element this unique look.” This wide field of view (which directly correlates to the oval shape of the lens) helps you capture more of the space around your subject, so be selective about where and when you shoot anamorphic.Ĭertain types of photography - like a stunning portrait - work well in this format. “When you do it in anamorphic, it’s oval bokeh,” Kurniawan says. The wider, more oblong shape naturally gives you more blurred bokeh around your subject. And now you can use anamorphic lenses with a DSLR or mirrorless camera and even with a camera on an iPhone or other mobile device.ĭue to their oval shape, anamorphic lenses capture more than circular or spherical lenses. “It gave a new wider perspective.”Īs anamorphic lenses became more widely adopted by the movie industry, they eventually crossed over into traditional film photography. ![]() “It would take the 4:3 image and stretch it wider,” says photographer Shane Dresch. They then squeezed the footage onto a narrow film strip, which was then stretched back out by the projector to create a widescreen image. As opposed to the more circular shape of regular lenses, oblong anamorphic lenses allowed early filmmakers to create the illusion of a more extensive field of view. In those days, a technique called Cinemascope helped achieve the widescreen effect. “They wanted to look different, and that’s where anamorphic lenses came in.” ![]() “When movies were shown on television, it was 4:3 letterbox,” videographer Margaret Kurniawan explains. Cinematographers initially used anamorphic lenses in the early days of filmmaking to show a vast scene with a shallow depth of field (DOF) to focus on subjects within their work - a cinematic feel with the intimacy of a portrait. This process, called desqueezing, creates a wider aspect ratio in post-production without a wide-angle lens.
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